Africa

Home Portfolio

52. The Kingdoms of the Cameroon Grassfields

The "Memory" of Ibrahim Njoya

Localiser les objets

Descended from a princely family, Ibrahim Njoya (circa 1887-1966) was a relative of King Njoya and one of his closest collaborators. He had the same name as the king. He was involved in most of the royal inventions, including writing, and was a driving force in the development of drawing and wood carving, arts soon renowned throughout the Grassfields kingdoms. He thus incarnates the model of the modern Bamum artist, combining ancient know-how and renewal. His work explores several thematic registers and techniques: free drawing, portraits of the Bamum kings for which he laid down the conventions, maps, decorative motifs, carved panels, furniture. His drawings in the 1920s during the conflicts between King Njoya and the French colonial administration are essentially political. After the king's death in exile, Ibrahim Njoya worked for a varied foreign clientele of missionaries and travellers. The aesthetic value of his drawings then prevailed over their great historical value.

Alexandra Loumpet Galitzine

King Njimoluh, son of King Njoya, in front of regalia conserved in the Museum of the Palace of the Bamum kings at Foumban. Unknown photographer, around 1933. MEG Archives

---