ETHOC 041774

massue fa'alaufa'i

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041774
Fa'alaufa'i club
Samoa Islands
Late 19th - early 20th century
Wood. H 94,5 cm
Gift of the painter Émile Chambon in 1981
MEG Inv. ETHOC 041774
The blunt end of the club is carved into nail-head spikes on either side of a central rib, evoking a banana palm leaf.

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Inventaire original MEG. Registres tapuscrits, volumes 19 à 59
Registres_tapuscrits/41774.pdf

 

Western Polynesia

About 1000 BC, experienced and intrepid mariners travelled 700 marine miles from the main Melanesian islands to colonise Western Polynesia, a cultural area made up of several archipelagos: Fiji, Tonga, Western Samoa, American Samoa, Niue, Wallis and Futuna. Intense cultural exchange followed, particularly between Fiji, Tonga and Samoa, which led to certain cultural similarities.

Men's arts and women's arts

Many weapons from this region are now in collections all over the world. They could be used for attack or defence, but they also incarnated the prestige of the warriors they belonged to. They were used as emblems of power for the chiefs whose reputation depended entirely on prowess in battle and territorial conquests.

But creativity is not a male preserve. In the same region, the women made two types of objects for everyday use and for exchange: pottery, solely in Fiji, and tapa, a marvellous bark cloth.

Bibliograpy

  • Edge-Partington, James. 1969. An Album of the Weapons, Tools, Ornaments, Articles of Dress Etc., of the Natives of the Pacific Islands. London : The Holland Press, Page 71 (vol. 1), MEG Carl-Vogt, OC 576 (2 vol.)
  • Brown, George. 1910. Melanesians and Polynesians : their life-histories described and compared. London : Macmillan, Page 58, MEG Carl-Vogt, OC 74
  • Parsons, Lee A.. 1975. Ritual arts of the South Seas : the Morton D. May Collection. St. Louis : The St. Louis Art Museum, MEG Carl-Vogt, OC 662

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