ETHAF 044334

masque (janus)

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044334
Wanyugu anti-witchcraft Janus mask
Ivory Coast, Northern region
Senufo. First half of the 20th century
Wood
Gift of the painter Émile Chambon in 1981
MEG Inv. ETHAF 044334
Armed with a sword, the nocturnal wanyugu mask appears to the villagers at funeral ceremonies to drive out the village witches and sorcerers, represented by the two stylised animals at the top of the mask, chameleons face to face. Horns are carved on both sides to hold magic charges. The two mouths are of fearsome, wild hyenas, whose pricked ears are listening for the least sound made by the witches. This mask has neither front nor back, so that it can see in all directions and attack from all sides.

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West Africa

Deprived of their costumes, adornments, torchlight and rhythmic movements, the "masks" are no longer what they were when they danced in their original context; in the museum they become mere fragments. But they escape from their dry ethnic classification to conjure up some of the great cults of sub-Saharan Africa which have existed alongside Islam since the eleventh century.

Initiation Societies and their Masks

In West Africa, as elsewhere on the African continent, masks and other sacred objects are used by initiation societies which communicate with the higher powers and exploit secret knowledge. In the course of rituals controlled by qualified officiants, these masks unleash and guide forces to influence social interaction between people, spirits and ancestors. The masks are sometimes powerful weapons in the fight against witchcraft.


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