ETHAF 044335

masque

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044335
Gpélihé two-faced mask
Ivory Coast, Northern region
Senufo. Late 19th - early 20th century
Wood, iron staple
Gift of the painter Émile Chambon in 1981; purchased from Suzanne and Pierre Vérité in Paris in 1936
MEG Inv. ETHAF 044335
This Senufo mask has a miniature face set above the main face. Gpélihé is an ancestral mask which is danced in various transition periods: at the beginning of the harvest, after a death, when the spirit of the dead must be driven away from the village. It dances in a calm, measured way, except when it attends the funeral of a member of the Poro initiation society, a social and political organ with diverse, extensive jurisdiction. The second face may represent the doubling of the person, alive and dead, the face of a tutelary spirit or the face of an ancestor of the same name.

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West Africa

Deprived of their costumes, adornments, torchlight and rhythmic movements, the "masks" are no longer what they were when they danced in their original context; in the museum they become mere fragments. But they escape from their dry ethnic classification to conjure up some of the great cults of sub-Saharan Africa which have existed alongside Islam since the eleventh century.

Initiation Societies and their Masks

In West Africa, as elsewhere on the African continent, masks and other sacred objects are used by initiation societies which communicate with the higher powers and exploit secret knowledge. In the course of rituals controlled by qualified officiants, these masks unleash and guide forces to influence social interaction between people, spirits and ancestors. The masks are sometimes powerful weapons in the fight against witchcraft.


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