ETHAF 044357

masque d'un esprit ancestral

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044357
Ancestor spirit mask
Gabon, Chaillu Mountains
Membe, Bavove or Mitsogo linguistic group. Late 19th - early 20th century
Wood, pigments, leather, plant fibres, iron
Gift of the painter Émile Chambon in 1981; purchased from Pierre Vérité in Paris in 1936
MEG Inv. ETHAF 044357
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The Mitsogo call migonzi the spirits of female ancestors who appear in the form of these white masks during night gatherings of the Bwete disumba initiation society. The dancer wearing the mask for this nocturnal dance disappears as the mogonzi spirit steps forward into the torchlight.

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Gabon as Missionary Pastor Fernand Grébert Knew It

Gabonese reliquary statues and masks are icons of the "primitive art" invented by Western artists in the early twentieth century. At the same time, deep in colonial Equatorial Africa, many of the religious and cultural practices behind these traditions were disappearing. In this context Pastor Grébert set about collecting ethnographic objects in the Middle Ogooue, some of which came to the MEG.

Initiation societies

Men and women who enter an initiation community in lineage societies in Central Africa seek to leave the secular world to become, irreversibly, that Other to whom the elders will pass on the tradition. There are about twenty such societies in Gabon, whose teaching and practices often overlap. Placed under the supreme authority of the protective ancestors, they rely on secrecy and the sharing of symbolic knowledge with a view to regulating the life of the group. The Bwete, which began among the Mitsogo, is the most widespread ritual society in Gabon.

Bibliograpy

  • Wastiau, Boris. 2008. Medusa en Afrique. La sculpture de l’enchantement. Genève : MEG ; Milan : 5 Continents Editions., 37, MEG ET AF 4614

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