ETHAF 044381

masque

Back to results
044381
Kònò forehead mask
Mali
Mandé, Bamana. 20th century
Wood, sacrificial patina
Gift of the painter Émile Chambon in 1981
MEG Inv. ETHAF 044381
This mask is one of the "instruments" of the male initiation society of the Kònò, a Bamana power group. It represents both an elephant and a bird. It is a power object, a boliw, used only by initiates and feared by the population.

The image above is subject to copyright.
Copyrights for Photographic Reproduction

West Africa

Deprived of their costumes, adornments, torchlight and rhythmic movements, the "masks" are no longer what they were when they danced in their original context; in the museum they become mere fragments. But they escape from their dry ethnic classification to conjure up some of the great cults of sub-Saharan Africa which have existed alongside Islam since the eleventh century.

Initiation Societies and their Masks

In West Africa, as elsewhere on the African continent, masks and other sacred objects are used by initiation societies which communicate with the higher powers and exploit secret knowledge. In the course of rituals controlled by qualified officiants, these masks unleash and guide forces to influence social interaction between people, spirits and ancestors. The masks are sometimes powerful weapons in the fight against witchcraft.

Bibliograpy

  • Cissé, Youssouf et Kamissoko, Wâ. 1988-1991. La grande geste du Mali : Paris : Ed. Karthala : Association Arsan. 2 vol. , MEG ET AF 2663
  • Colleyn, Jean-Paul. 2001. Bamana : the art of existence in Mali. New York : Museum for african art : Zürich ; Museum Rietberg : Gent : Snoeck-Ducaju & Zoon, 2001. , MEG ET AF 4864

© 2021 Musée d'ethnographie, Genève