ETHMU 053857

hautbois

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053857
Nagasvaram (or nadasvaram), oboe, used in temple and processional music as part of the periya-melam ensemble
India, Kerala, Thrissur
Late 20th century
Wood, reed, bone, cotton
Laurent Aubert mission to Kerala in 1999; acquired from the musician Thrissur P. Govindankutty
MEG Inv. ETHMU 053857
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Missions to Kerala
Laurent Aubert made numerous research trips (mainly in Europe, Africa and Asia). He brought the MEG over 630 objects from Kerala, in India, including a series of marionettes, shadow puppets and a full set of props used by a Kathakali dance theatre troupe. He published a PhD thesis in 2004 and presented the objects, sound recordings and audiovisual documents collected during his missions in an exhibition, The Fires of the Goddess, in 2005.
A third of the musical instruments now in the MEG were acquired during the twenty-eight years when Laurent Aubert was the curator of the Ethnomusicology department. One of his major achievements was to revive the AIMP in 1984 and make it one of Europe's reference collections of musical recordings.
Literally called "sound of the cobra" or "primordial sound", this large oboe is usually played in pairs, to make a continuous sound for long periods. Always accompanied by drums (takil) and cymbals (kuzhittalam), the nagasvaram of Southern India are played in temples or during processions and religious ceremonies.

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Sound Archives

From 1944 to 1958, the Romanian musicologist Constantin Brăiloiu amassed sound recordings from the five continents, using the records he had made in Romania, Switzerland and other countries as the core of the Genevan archives, known as the Archives internationales de musique populaire (AIMP). His aim was to compare music from all over the world and publish its various expressions in the Collection Universelle de Musique Populaire (forty 78 records, 1951-1958). The archives now hold nearly 16,000 hours of recorded music. They let us hear the voices of the instruments and explore the history of the publication of world music.

Collecting and recording

Because of the technical difficulty of recording music in the field and also because of the compartmentalisation of the institutions dedicated respectively to building up ethnographic collections and carrying out anthropological research, few musical instruments were collected before the 1950s, although recordings of their musical repertory were made at the time. The configuration of the collections of musical instruments and sound archives reflects this work method, in which the topics of observation were assigned to different people.

The establishment of museum laboratories in the 1960s radically transformed the museum collections, which have been enriched by multiple audiovisual documents.

Missions to Nepal

In 1952, a major Genevan scientific mission was sent to Nepal. Marguerite Lobsiger-Dellenbach, then director of the MEG, took an active part in it, bringing many objects and major scientific documentation back to the museum, including several sets of musical instruments along with photographs and about fourteen hours of musical recordings. Some twenty years later, this collection was further enriched (fifteen instruments and over fifteen hours of music) by Laurent Aubert, then a student in ethnomusicology. So Nepal, and more particularly the Newar people of the Kathmandu valley, is a special field for the MEG. The music collection built up by its researchers over the years is one of the best documented in the museum.


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