ETHOC 054288

peinture sur écorce

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054288
Warrukay (Barracuda), bark painting by the artist Mowarra Ganambarr (1917-2005)
Australia, Northeast Arnhem Land, Rorruwuy
Yolngu, Dätiwuy clan, Dhuwa moiety. Late 20th century
Eucalyptus bark, pigments, wood. H 62 cm, W 100 cm
Acquired from Claude Presset in 2001; collected by her from Buku-Larrnggay Mulka in Yirrkala
MEG Inv. ETHOC 054288
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Mowarra was a highly respected elder and has been a recognised artist since 1947. The barracuda, an ancestral being for the Yolngu, is painted with its young, in reference to kinship bonds. This fish here represents ferocity and the extraordinary hunting skills of both the barracuda and Mowarra's clan.

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Australian Aborigines

In the nineteenth century, the Aborigines were classed as the most primitive people on Earth. Not practising agriculture, animal husbandry, metallurgy or weaving, these hunters-gatherers were considered to have no artistic sensibility. Later, anthropological field work showed that this was not the case and revealed refined, sophisticated cultures.

Painting tells us who we are

The Aborigines tell that long ago, in the Dreamtime, mythical beings rose out of the depths of the land, which was still undifferentiated. As they travelled, they left their traces behind them and their actions shaped the landscape and the sky. They named places and animals, separated animals from humans and instituted the laws governing their society.

In Arnhem Land, painting – whether it is on rock walls, carved objects, bark or the bodies of people taking part in rituals – is evidence of the close link between the Aborigines and the ancestral beings. It expresses their attachment to the land, their world view and their identity.


© 2021 Musée d'ethnographie, Genève