ETHOC 054532

sculpture

Back to results
054532
Sculpture by the artist Carmelina Puantulura (1957-2006)
Australia, Northern Territory, Bathurst Island, Nguiu
Tiwi. Late 20th century
Wood (Erythrophleum chlorostachys), pigments. H 122 cm
Gift of SAMEG in 2001, bought at the Tiwi Art Gallery in Nguiu
MEG Inv. ETHOC 054532
Geolocate the object
This work refers to an episode in the Tiwi myth explaining the origin of death. Bima was seduced by Tapara, the younger brother of her husband Purukupali. Their son Jinani was left alone and died. So Purukupali decreed that all the Tiwi had to follow the same destiny as his son. It was he who created the first pukumani ceremony. The sculpture represents Bima holding her dead son.

The image above is subject to copyright.
Copyrights for Photographic Reproduction

Australian Aborigines

In the nineteenth century, the Aborigines were classed as the most primitive people on Earth. Not practising agriculture, animal husbandry, metallurgy or weaving, these hunters-gatherers were considered to have no artistic sensibility. Later, anthropological field work showed that this was not the case and revealed refined, sophisticated cultures.

Honouring the dead

The Tiwi from Bathurst and Melville Islands honour their dead through rituals called pukumani which put an end to the sexual, food and behavioural taboos imposed during the period of mourning. During pukumani ceremonies, the Tiwi wear bracelets and other ceremonial objects as a sign of mourning. Their dancing and singing ensure that the spirit of the dead will find its way to the spirit world where it will live forever. A few months after death, tutini grave posts are erected on the tomb and left until they fall apart in the weather.

Nowadays, these rituals include many Christian elements.

Tutini grave posts (Australia, Northern Territory, Melville Island). Photograph by Axel Poignant, 1948 © National Library of Australia

Bibliograpy

  • Barnes, Kathy. 1999. Kiripapurajuwi: Skills of our hands. Good craftsmen and Tiwi art. Darwin: ATSIC
  • Colombo Dougoud, Roberta. 2014. De la notion de "changement" dans les collections d'objets océaniens. In: Regards sur les collections. Genève: Musée d'ethnographie de Genève, 206, 214-217

© 2021 Musée d'ethnographie, Genève