ETHEU 101407

canne, bâton de berger

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101407
Shepherd's crook
France, Bouches-du-Rhône
Circa 1900
Wood
Georges Amoudruz collection acquired in 1976
MEG Inv. ETHEU 101407
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Taillée, évidée puis tournée, cette canne résonne pour commander le bétail à distance. C’est une prouesse technique qui s'inspire des travaux monastiques médiévales, dits boules « de Canton » ou « boules prisonnières ». Réunissant symboles savants et populaires (la conception aristotélicienne du mouvement des sphères et le bestiaire de la médecine vernaculaire) elle est un exemple de ce que l’on nomme hâtivement l’ « art pastoral ».

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Leading, directing and governing

For nineteenth-century peasantry, the hierarchy of living things stretched from earth to heaven, with human beings placed between domination and subordination. Power symbols were a reminder that the balance between prerogatives and duties began at home and from there extended to the locality and society as a whole. Managing a house, leading a flock or directing a meeting required technical skills, ritual knowledge and personal qualities.

Livestock

Animal husbandry and agriculture shared the same spaces in complementary or conflicting rhythms. The shepherd led his flock from the village to the pastures, often living a marginal life. Because of his frugal habits and closeness to the animals, he was sometimes regarded as a simpleton or else a wise man. People attributed practical knowledge of the world to him although they were suspicious of his ability to see everything. The crook is his main tool, symbolising his relationship with his flock. It is his constant companion when leading, watching over or caring for the livestock and even when he is just walking or sunk in contemplation. It still conveys the idea of moral and religious authority today.


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