ETHEU 101917

sonnaille / redon

Back to results
101917
Bell sonnaille and collar
Italy, Val d’Aoste, Cogne
19th century
Sheet iron, Swiss pine, powdered pigments, leather
Georges Amoudruz collection acquired in 1976
MEG Inv. ETHEU 101917
Geolocate the object
The decoration of the wooden collars brings together almost all the iconography of folk art from the seventeenth to the twentieth century. A huge repertoire of decorative elements – rosettes, spirals, Christian symbols, animals, plants, human figures – is open to numerous interpretations, ranging from ordinary decoration to magical or prophylactic purposes.

The image above is subject to copyright.
Copyrights for Photographic Reproduction

The balance of work

There was little machinery in preindustrial Europe and the societies shared the same work ethic based on individual responsibility and community solidarity. In these agricultural and artisanal communities, the body – human and animal – was the first and sometimes the only tool available: its skill and dependability were key assets in a precarious economy. Knowing how to economise and use its strength led to a sense of well being.

The music of the animals

Although the beginning of the practice is hard to date, hanging bells around the animals' necks helped locate and organise the herds and flocks. The shepherd or herdsman marked the identity of the animal in terms of size, gait and importance in the flock through the bell he hung around its neck. A characteristic sound can be attributed to all the beasts, not just to the leaders. The procession creates a halo of sound which keeps the animals together and in order. It is not simply a matter of making a noise, but of composing a recognisable ensemble that is agreeable to the ear. Putting the flock into harmony with the landscape or when it crosses a village is a prestigious skill perfected over many years.


© 2021 Musée d'ethnographie, Genève