ETHAF 031152

masque

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031152
Komokunw mask
Mali, Koutiala
Mandé, Bamana. First half of the 20th century
Wood, horn, cotton, porcupine quills, organic matter
Acquired from Mamadi Touré in 1961
MEG Inv. ETHAF 031152
Hybrid creatures mingling the features of the crocodile, the hyena and the antelope, kòmòkunw (head of the Kòmò) helmet masks are used in the Kòmò cult, the most powerful and feared Bamana male institution. Nourished by sacrifices and magic charges, they are "medicines" or boliw, which produce a radiant force or nyama. Only the great initiates, the masters of the Kòmò, can handle this invisible power and make cult objects such as this mask.

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West Africa

Deprived of their costumes, adornments, torchlight and rhythmic movements, the "masks" are no longer what they were when they danced in their original context; in the museum they become mere fragments. But they escape from their dry ethnic classification to conjure up some of the great cults of sub-Saharan Africa which have existed alongside Islam since the eleventh century.

Initiation Societies and their Masks

In West Africa, as elsewhere on the African continent, masks and other sacred objects are used by initiation societies which communicate with the higher powers and exploit secret knowledge. In the course of rituals controlled by qualified officiants, these masks unleash and guide forces to influence social interaction between people, spirits and ancestors. The masks are sometimes powerful weapons in the fight against witchcraft.

Bibliograpy

  • Cissé, Youssouf et Kamissoko, Wâ. 1988-1991. La grande geste du Mali : Paris : Ed. Karthala : Association Arsan. 2 vol. , MEG ET AF 2663
  • Colleyn, Jean-Paul. 2001. Bamana : the art of existence in Mali. New York : Museum for african art : Zürich ; Museum Rietberg : Gent : Snoeck-Ducaju & Zoon, 2001. , MEG ET AF 4864

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