ETHMU 038933

pluriarc "lu ku"

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038933
Lu ku bow lute played by the women of the royal court
Cameroon, Grassfields, Foumban
Bamum kingdom. Late 19th - early 20th century
Wood, plant fibre
Gift of the missionary pastor Jean Rusillon in 1976; collected in the 1930s
MEG Inv. ETHMU 038933
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Le pluriarc ou harpe bamum lu ku de la famille des cordophones, est principalement joué par les hommes et surtout les femmes de la famille royale, mais aussi par l’orchestre de la cour. C’est un instrument au son doux, rarement utilisé en association avec d’autres instruments et qui appartient à la sphère des réunions en petit nombre. Il accompagne, comme le mvet bamum, la geste dynastique et la relation des grands événements de l’histoire bamum mais est également l’instrument préférentiel des chants liés aux naissances et des berceuses, comme en atteste une photographie de reines jouant de deux harpes. Le roi Njoya appréciait particulièrement la musique et la danse et fut à l’origine de chants et de nouvelles chorégraphies.

Alexandra Loumpet-Galitzine

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Registres d'inventaires historiques

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Inventaire original MEG. Registres tapuscrits, volumes 19 à 59
Registres_tapuscrits/38933.pdf

 

Ressources

Cameroon Grassfields Map

The Kingdoms of the Cameroon Grassfields

In the west of present-day Cameroon, a highland region known as the Grasslands or Grassfields shelters numerous tiny states: the Bamenda cultural area in the north, the "Bamileke" kingdoms in the south and the Bamum kingdom in the east. Before the colonial era, these kingdoms vied with one another in prestige and riches as well as in art and architecture. The kings commissioned the best sculptors and bronze casters from the neighbouring regions.

Masks performance. Bamum Kingdom

Masks performance. Bamum Kingdom. Photo by Anna Wuhrmann, Foumban, around 1920. Gifted by Josette Debarge in 1932. © Archives MEG

The Bamum Kingdom during the Reign of King Njoya

The Bamum kingdom, founded in the seventeenth century, is the biggest of the tiny Grassfields states. The reign of King Njoya, which began in 1887, was a crucial transitional period. Over fifteen years, this little kingdom was upset by the arrival of Islam and reformed Christianity, German, British and French colonisation, their administrations and merchants. King Njoya invented an original writing system but also innovated in architecture, cartography and pharmacopoeia and instituted major reforms. Exiled by the French colonial administration, he died in Yaoundé in 1933 and is still celebrated as a hero throughout Africa.

Alexandra Loumpet Galitzine


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