ETHAF 039620

masque "epa"

Back to results
039620
Epa Janus mask topped by an equestrian figure
Nigeria, Southwest
Yoruba Ekiti. 19th– first half of the 20th century
Wood, pigments
Acquired from Suzanne and Pierre Vérité in Paris in 1978
MEG Inv. ETHAF 039620
Geolocate the object
In the north of the Ekiti cultural area, monumental helmet masks danced at the end of the annual Epa festival celebrating the regeneration of the fundamental principles of the society under the aegis of the great ancestors and tutelary gods. The monoxylous sculpture perched on the top of the mask probably represents an Eyelashe priestess on horseback surrounded by her suite of musicians, warriors and followers.

The image above is subject to copyright.
Copyrights for Photographic Reproduction

Registres d'inventaires historiques

Les feuillets numérisés des registres d'inventaires historiques sont soumise à un copyright.
Droits de reproduction photographique

Inventaire original MEG. Registres tapuscrits, volumes 19 à 59
Registres_tapuscrits/39620.pdf

 

Edo and Yoruba in Nigeria

The term "Yoruba" refers to a language and various ethnic groups in a region in West Africa stretching from the middle Niger to the Atlantic coast, between Nigeria and Benin. Oduduwa, the original Yoruba divinity, ruled over the mythical city of Ife, where the world was created. He is the ancestor of all the sovereigns in the Yoruba kingdoms (Oyo, Owo, Ketu, etc.) and of the Edo kingdom in Benin after the fall of the Ogiso dynasty.

Yoruba Sculpture

Although Yoruba territory was and still is rich in art forms, wooden sculpture is still the most representative of its cultural practices. Majestic statues and delicate low reliefs are decorated with divinities or their officiants, twins, or power figures. The masters of workshops renowned for their style are recognised for a particular epa or gèlèdè mask, a carved veranda post or door, a statue of a rider or a maternity figure. In the 1950s, Yoruba sculpture was "modernised"; stimulated by commissions from the missionaries and then from states and cities, it developed a new "neo-traditional" style.


© 2021 Musée d'ethnographie, Genève