ETHAF 044277

masque de la danse okuyi

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044277
Mukudj' white mask for the okuyi dance
Southern Gabon, Ngounié valley
Bapunu, Merye linguistic group. 19th century
Wood, pigments
Gift of the painter Émile Chambon in 1981; collected before 1905. Former François Coppier collection
MEG Inv. ETHAF 044277
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The Bapunu's mukudj' is the best known of the white masks from the Ogooue basin. Its idealised beauty seems to suggest a specific face while remaining anonymous. The white-face mask on tall stilts took part in events in village life in the okuyi dance while its dark-faced double was occasionally called before the "judges" in certain palavers.

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Inventaire original MEG. Registres tapuscrits, volumes 19 à 59
Registres_tapuscrits/44277.pdf

 

Gabon as Missionary Pastor Fernand Grébert Knew It

Gabonese reliquary statues and masks are icons of the "primitive art" invented by Western artists in the early twentieth century. At the same time, deep in colonial Equatorial Africa, many of the religious and cultural practices behind these traditions were disappearing. In this context Pastor Grébert set about collecting ethnographic objects in the Middle Ogooue, some of which came to the MEG.

Initiation societies

Men and women who enter an initiation community in lineage societies in Central Africa seek to leave the secular world to become, irreversibly, that Other to whom the elders will pass on the tradition. There are about twenty such societies in Gabon, whose teaching and practices often overlap. Placed under the supreme authority of the protective ancestors, they rely on secrecy and the sharing of symbolic knowledge with a view to regulating the life of the group. The Bwete, which began among the Mitsogo, is the most widespread ritual society in Gabon.

Bibliograpy

  • Perrois, L.. 1979. Arts du Gabon. Arnouville , Af 2910, p. 242., MEG AF2910
  • Wastiau, Boris. 2008. Medusa en Afrique. La sculpture de l’enchantement. Genève : MEG ; Milan : 5 Continents Editions., 85, MEG ET AF 4614

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