ETHOC 021858

crâne humain surmodelé

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021858
Overmodelled human skull
Papua New Guinea, Middle Sepik
Iatmul. Early 20th century
Human skull and hair, cowry, mastic, clay, pigments, wood. H 19,5 cm
Long-term loan by Eugène Pittard in 1948, given by his son Jean-Jacques in 1966
MEG Inv. ETHOC 021858
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Until the mid 20th century, among the Iatmul, the skulls of the clan's founding ancestors were kept in the men's house and exhibited during initiation rites. They were cleaned, and modelled to reconstruct the facial features. Face paint, white for the men and black for the women, reproduced the deceased person's favourite clan patterns so that the skull would resemble them as much as possible.
021858

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Ressources

Human Remains

The Sepik, an art workshop

The Sepik River winds for more than 1,100 km along a wide swampy valley in the north of Papua New Guinea. The people who live along its banks and tributaries present an extraordinary diversity of language, culture and art. This region is characterised by the profusion of styles and great richness of its art work.

Ancestor worship

Ancestor worship is inspired by the idea that the link with the dead continues after death for several generations and can even go back to the origin of the clan. In exchange for the offerings made to the ancestor spirits, the living expect to receive protection, wealth and prosperity.

In the Sepik region, despite evangelisation, the ancestors still play an important role for the living and they are a constant presence in their lives.

However, to make their presence felt they need a physical support to dwell in. The masks and sculptures then become the ancestor himself and the music a manifestation of his presence and voice.

Bibliograpy

  • Meyer Anthony. 1995. Art océanien. Paris : Gründ, Pages 220-221, MEG OC 1178
  • Le Fur, Yves (dir.). 1999. La mort n'en saura rien. Reliques d'Europe et d'Océanie. Paris: Editions de la Réunion des musées nationaux, Pages 154-158

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