ETHOC 028211

masque de danse funéraire jipae

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028211
Jipae funerary dance mask
Indonesia, Papua province, south of Mount Carstensz
Asmat. First half of the 20th century
Plant fibres, wood, feathers, wicker, seeds, pigments. H 200 cm
Gift of Georges Barbey in 1959; purchased from an oil prospector in Hollandia, now Jayapura
MEG Inv. ETHOC 028211
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These costume-masks represent the recent dead at the jipae festival, when they return to their villages for a day and a night. The festivities end with the symbolic death of the masks, which drop to the ground and are carried to the ceremonial house. Only then can the souls of the dead leave the world of the living and join the realm of the ancestors.

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The Asmat of New Guinea

The Asmat live in the southwest part of the island of New Guinea, which is politically attached to Indonesia. Their name means "the true people;" They are semi-nomadic, living from gathering, hunting and fishing in the swamps, on the coasts and in the floodable forests along the rivers.

The Asmat consider themselves to be tree-people, the chest corresponding to the trunk, the head to the fruit, the arms to the branches and the feet to the roots.

Perpetuating life through death

The Asmat did not consider death to be natural; they thought it was caused by evil spells. In their cosmogony, there were three kingdoms, which were not separate but communicated with one another: the world of the living, the world of the dead and the world of the ancestors or Safan.

The wandering soul of a dead person caused misfortune, fights and divisions. Before reaching the kingdom of the ancestors, it had to cross an intermediate world which was dangerous as long as his death had not been avenged by a headhunting expedition. Only then could he enter Safan and be reincarnated, starting the eternal cycle of life over again.

Bibliograpy

  • Colombo Dougoud, Roberta. 2014. Les collections Océanie. In: Regards sur les collections. Genève: Musée d'ethnographie de Genève, 224-225

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