ETHAF 032984

masque

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032984
Koma ba mask
Guinea or northwest Ivory Coast
Toma or Mahou. First half of the 20th century
Wood, horn, sacrificial patina, plant fibres, skin, metal, feather
Acquired from Suzanne and Pierre Vérité in Paris in 1966
MEG Inv. ETHAF 032984
An instrument for fighting against witchcraft, this mask from the semi-secret Koma male society, (close to the Kòmò o of the Bamana) is a terrifying sight at night. The bearer holds it by the "beak" against his face and brandishes a spear. The mask is caked with the blood of sacrificed animals and has small horns filled with magic substances on its muzzle.

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West Africa

Deprived of their costumes, adornments, torchlight and rhythmic movements, the "masks" are no longer what they were when they danced in their original context; in the museum they become mere fragments. But they escape from their dry ethnic classification to conjure up some of the great cults of sub-Saharan Africa which have existed alongside Islam since the eleventh century.

Initiation Societies and their Masks

In West Africa, as elsewhere on the African continent, masks and other sacred objects are used by initiation societies which communicate with the higher powers and exploit secret knowledge. In the course of rituals controlled by qualified officiants, these masks unleash and guide forces to influence social interaction between people, spirits and ancestors. The masks are sometimes powerful weapons in the fight against witchcraft.


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